William Claxton
(USA)



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Steve McQueen Relaxing on a Bed, 1961

Steve in his Jaguar XK-SS, Paramount Studios, 1962

Steve Hot Licks on his Guitar, Texas, 1963

MGM Publicity Shoot N°1, Los Angeles, 1964

Steve McQueen Eating a Doughnut, 1962

Steve McQueen in His XK-SS Jaguar, Los Angeles, 1962

John Coltrane, Newport, 1960

Cootie Williams, New York, 1960

Memphis Slim, Chicago, 1960

Duke Ellington, Monterey, 1958

Chet Baker, Los Angeles, 1954




Miles Davis, Los Angeles, 1956


John Coltrane




Frank Sinatra



Nathalie Wood



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BIBLIOGRAPHY









BIOGRAPHY






Growing up in California, William Claxton spent his time collecting 78’s by Duke Ellington, Lena Horne, Count Basie and Tommy Dorsey. As he pasted their pictures into scrapbooks, Claxton yearned to become a part of their world.

By the time he started photographing musicians himself, he looked for ways to defi ne them as people, not just as performers. He wanted to capture the innate drama in their lives, the fun, the anxiety, the eternal youthfulness. He learned to do all this and more in the 1950’s, when his album covers for Pacific Jazz Recordsd reflected a sound born of beachside jazz clubs and balmy California nights.

Claxton is a photojournalist. He makes his subjects comfortable enough to lower their guard, then freezes their most telling moments. The greatest revelations occur when he takes musicians away from the stage.

He caught a strung-out Art Pepper in the harsh light of day, immediately after the saxophonist had finished a one-year jail term for drug possession; the pain of withdrawal is etched in his handsome face.† The Washington, D.C. sax player and mailman Buck Hill brings his horn along his letter route, lightening the step of some neighborhood kids. After a show at the Brooklyn Paramount, a pensive Sarah Vaughan sits in her gown in a back stairwell of the theater, too tired to paste on
a smile.

At recording sessions Claxton hangs out with the players fi rst, letting them get used to his presence. Then he goes to work. Recalled the late Shorty Rogers: “you’d fi nish taking a chorus, and you’d open your eyes and the fi rst thing you’d see would be Bill, clicking away.”

Born in Pasadena, California, he began his career as a hobby. While studying psychology at UCLA, he haunted local jazz clubs with his camera: a 4 x 5 Speed Graphic, obsolete even then. “When I worked, “ he says, “holding that big, clunky camera up to shoot with flash bulbs and dangling extension cords, friends would laugh at me and remark that I looked like a crime photographer: a young, tall and skinny WeeGee.”






Black & White Silver Gelatin Prints.
Signed and Numbered by the Artist on Verso.

Size 40x50 cm (16x20 in) - Edition of 25
Prices begin at 2 420 € (21% Taxes Included)

Size 50x60 cm (20x24 in) - Edition of 15
Prices begin at 3 025 € (21% Taxes Included)

Size 80x100 cm (31x 39in) - Edition of 5
Prices begin at 4 250€ (21% Taxes Included)


The prices increase according to the edition number.




Please contact the gallery for current pricing and availability > CLICK HERE
  



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