Nick Brandt
(United Kingdom)


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Elephant Drinking
Giraffes in Evening Light, Maasai Mara 2006
Elephant Exodus #2, Amboseli 2004
Abandoned Ostrich Egg
Buffalo With Lowered Head
Elephant Herds Crossing Lake Bed in Sun
Elephant with Tattered Ears
Elephants Moving Through Grass
Elephants on Bleached Lake Bed
Giraffes and Dust Devil
Giraffes Battling in Forest
Giraffes with Migration Trail
Gorilla On Rock
Lion CU Portrait
Lion Under Leaning Tree
Lion with Monolith
Lions Head to Head
(SOLD OUT)
Rhino on Lake
Rhinos in Lake
Lion Before Storm II- Sitting Profile
Zebras Turning Heads
Cheetah & Cubs
Wildebeest Arc
Lioness Against Rock
Baboons in Profile
Hippos on Mara River
Elephant With Exploding Dust
Elephant Exodus
Cheetah & Cubs Lying on Rock
Lion Windswept
Sitting Lionesses
Cheetah in Tree
Giraffe Fan
Elephant Mother & Two Babies
Elephant Herd
Buffalo Group Portrait
Portrait of Lion Standing in Wind
Giraffes Under Swirling Clouds
Chimp Portrait With Hand II
Zebras Crossing River
Lioness with Cub Feeding
Lioness Looking Out Over Plains
Kudu Against Sky
Giraffe Looking Over Plains
Lioness In Crater
Giraffe Triptych
Leopard in Crook of Tree
Elephant Mother & Baby Holding Leg
Chimpanzee Posing
Elephant Ghost World
Rhino in Dust
Two Rhinos
Buffalo Blind in One Eye Resting
Elephant Cathedral
Giraffe & Baby in Trees





BIBLIOGRAPHY


ON THIS EARTH - Chronicle Books




His next book of work, "A Shadow Falls", will be published in October 2009
by Abrams Books (English edition) and Editions de la Martiniere (French edition).





BIOGRAPHY






UK

Born and raised in London, Nick Brandt studied Film and Painting at St. Martins School of Art.

He started photographing in December 2000 in East Africa, beginning the body of work that is his signature subject matter and style. He no longer directs, devoting himself full time to his fine art photography now.

Brandt's first book of photographs, "On This Earth", was published in October 2005, by Chronicle Books, with forewords by Jane Goodall and Alice Sebold (author of "The Lovely Bones").

He has had numerous one-man exhibitions between 2004 and 2006, including London, Berlin, New York, Los Angeles, Hamburg, Santa Fe, Sydney, Melbourne and San Francisco.

He now lives in Topanga, California....




Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of being.

I’ve always thought this something of a wasted opportunity. The wild animals of Africa lend themselves to photographs that extend aesthetically beyond the norm of 35mm-color telephoto wildlife photography. And so it is, that in my own way, I would like to yank the subject matter of wildlife into the arena of fine art photography. To take photographs that transcend what has been a largely documentative genre.

Aside from using certain impractical photographic techniques, there’s one thing I do whilst shooting that I believe makes a big difference :
I get extremely close to these very wild animals, often within a few feet of them. I don’t use telephoto lenses. This is because I want to see as much of the sky and landscape as possible--to see the animals within the context of their environment. That way, the photos become as much about the atmosphere of the place as the animals. And being that close to the animals, I get a real sense of intimate connection to them, to the specific animal in front of me. Sometimes a deliberate feeling that they’re almost presenting themselves for a studio portrait.

Why the animals of Africa in particular? And more particularly still, East Africa?
There is perhaps something more profoundly iconic, mythical, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America. There is also something deeply, emotionally stirring and affecting about the plains of Africa – the vast green rolling plains punctuated by the graphically perfect acacia trees.

My jp are unashamedly idyllic and romantic, a kind of enchanted Africa.

They’re my elegy to a world that is steadily, tragically vanishing.


Nick Brandt
April 2004



NL

Nick Brandt werd geboren en groeide op in Londen, waar hij film en schilderen studeerde aan de kunstschool « St Martins ».

In 1992 verhuisde hij naar de Verenigde Staten, waar hij videoclips regisseerde voor beroemdheden als Michael Jackson (« Earth Song », « Stranger in Moscow »), Moby, Badly Drawn Boy en Jewel.

In 2000 startte hij zijn loopbaan als fotograaf in Afrika, waar hij al zijn werk maakte.
Momenteel draait hij geen films meer en wijdt hij zich volledig aan het fotograferen van dieren.

Het eerste fotoboek van Nick Brandt over fotografie, « On this Earth », werd in oktober 2005 gepubliceerd door Chronicle Books, met inleidingen van Jane goodall en Alice Sebold (auteur van « The lovely Bones »).

Sinds 2004 exposeerde hij in de grootste galerijen van londen, Berlijn, Hamburg, New York, Los Angeles, Santa Fe, Sydney, Melbourne en San Francisco.

Momenteel woont hij in Topanga (Californië)….



FR

Nick Brandt est né et a grandi à londres, où il a étudié le cinéma et la peinture à l’école des Art « St Martins ».

Il s’est installé aux Etats-unis en 1992 y réalisant des clips-vidéos, pour des personnalités telles que Michael Jackson (« Earth Song », « Stranger in Moscow »), Moby, Badly Drawn Boy et Jewel.

Il débute en Afrique sa carrière de photographe en 2000, où il a réalisé l’ensemble de son travail.

le premier ouvrage photographique de Nick Brandt sur la photographie, « On this Earth » a été publié en Octobre 2005 par Chronicle Books, avec des avant-propos de Jane goodall et Alice Sebold (Auteur de « The lovely Bones »).

Depuis 2004, il a exposé dans les plus grandes galeries de londres, Berlin, Hambourg, New York, los Angeles, Santa Fe, Sydney, Melbourne et San Francisco.

Il vit actuellement à Topanga en Californie….












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