Of Spanish origin, Carlos Perez first turned to the visual arts using small paintings to express by means of emotionally charged objects both an interior idea of time, of the memory of painting, and to resolve a problem of expression and description of how we see, the gaze, in a snapshot of the history of his artistic environment.

This journey of design, the study of materials and the use of colour generally full of shadows, brings him precisely to reflect on that part of the shadow of the other (being) and to sound the unfathomable depths which fascinate and separate him.
He chooses the photographic lens to capture this gaze and the thoughts of the other being in the process of searching for an encounter of the soul by way of detours which summon up beauty.




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