Dominic Rouse
(England)



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The biography and prices are indicated all in bottom of the page.

De biografie en prijzen worden helemaal beneden van de bladzijde aangegeven.

La biographie et les prix sont indiqués tout en bas de la page. 


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Angeline, 2002




Tea Dance, 2005




Emptry Temptress, 2000




Hang'er, 1996




Ladies in Waiting, 2005




Don't Walk Away Rene, 2001




Strange Fruit, 2006




Once a Catholic, 2002




Reasons for Attendance, 2006




The Sorrowful Mysteries, 2004




Dance for No-One, 2001




No Little Boy Left, 2004



The Unbearable Lightness of Being, 2001



The Emptiness of the Lone Distanced Lover, 2000



...and God Bless Me !, 1996



Go Between, 2005



Grace & Beauty, 2001



Lionise, 2006



Man Eaten Alive by Chest of Drawers whilst Searching for a Missing Sock, 1996



Magritte, My Foot !, 2001



Loaves & Fishes, 1988



Last Night I Undressed with a Little Less Care than Usual, 1996



Shulamit & Mary, 2001



Losing My Religion, 2001



The Comfort of the Last to Leave, 2002



Survivor, 2005



To Be or Not to Be, 2001



Tree of Knowledge, 2000



Love Is the Shadow that Ripens the Vine, 2001



Trim, 2000



The Cunning of Unreason, 2005



What Will Survive of Us Is Love, 2004



Gethsemane, 2006



In a Monastery Garden, 2005



Remember Man that thou Art Dust, 2002








BIOGRAPHY





Artist Statement


Life can be likened to a movie that is shown only once to a captive audience of one in a darkened room in which the level of illumination is a decision for the occupant alone.

But even the widest prairies have electric fences and beyond the wires leads me to blunder up against the wires whose muscle-shredding violence knows no mercy.

The perfect prison is the one in which the inmates have been convinced that really they are free. Society is such a confinement; the result of a binding contract made unwittingly between government and governed. I find myself attracted to neither camp.

The guardians of society are troubled by their own shallows; the fears they have of others are the fears they have about themselves cunningly repackaged to increase their market appeal.

The artist, on the other hand, is unafraid of his depths and if you offer him the chance to exchange the gift of his imagination for the mediocrity that passes for happiness in the lives of most others he will not make the trade. He will tell you that imagination is the instrument of self-knowledge.

The man of vision is charged with the duty of exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement; to see the light we must first acknowledge that we are in the dark.

Work which displays most accurately the deepest recesses of the human soul will, by default, display some rather unpleasant aspects of it. It is not the duty of Art to be acceptable to polite society. Wherever he goes, the artist will find himself a stranger as he is the only legitimate citizen of the world which he inhabits. His lone, dissenting voice is society’s surest line of defence against its greatest enemy which is, of course, itself.

Were it not for the pain to be found in the wider world I might not have sought sanctuary in the confinement of my own where I have discovered an endless supply of the raw materials needed to make the images I do.

Unless the truth be sinful, it is not possible to find fault with a man who views the world through a camera's lens though it is equally impossible in any given age to create work which is agreeable to everyone. Art often challenges existing assumptions rather than simply accommodating them; it is beyond Good and Evil, which are not the antitheses, but degrees of each other.

I suspect that Evil may not exist at all, at least not in the form in which it is presented to us, though there can be little closer to it than the hypocrisies of men and women who claim goodness for themselves. Morality is a disease peculiar to humans and at its worst human life is not tragic but unmeaning.

I am not seeking approval, as a sense of worth should be independent of the approbation of others. What I hope for is an acceptance of that unique quality which is the province of every soul, the discovery of which reveals that facet of creation reserved exclusively for it alone.

Art is not made by men and women who are wise, but by those in search of wisdom and to search at all is wisdom enough. Knowledge of oneself is the most that we can know.

And saying so to some means nothing; others it leaves nothing to be said.



Dominic Rouse March 2007




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